From far out in left field, or at least, from NYC, here’s Israeli jazz-guitar virtuoso Gilad Hekselman, playing what appears to be a free transcription of J.S. Bach’s Two-Part Invention No. 4, BWV 775, in the violinistic key of D-minor. I say free transcription, because I think that, having to play both parts with only open strings or the frets reachable from one position at a time, he did not have available two extra fingers to play the long trill you might remember from the legendary Glenn Gould piano recording. I particularly like his non-frenetic tempo, and restrained dynamics. Gilad Hekselman‘s website is here.
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