I am fascinated and at times a bit awed by… connections. My brief but meaningful interaction with film-score composer John Williams means that through him, I am one handshake away from Marilyn Monroe; that’s because John Williams was the rehearsal pianist for the songs Marilyn Monroe sang for the soundtrack of Some Like It Hot. Through Stéphane Grappelli, I am one handshake away from… Django Rheinhardt. Through Yehudi Menuhin, I am one handshake away from: Elgar, Bartók, Ysaÿe, Enescu, Busch, and Bruno Walter. And countless others. Through engineer and Mahler expert Jerry Bruck, I am one handshake away from Alma Mahler (Gropius Werfel); and therefore, two handshakes away from Gustav Mahler.
The concept of connections, for me at least, dovetails with what I call the “Horseshoe-Nail Theory of History.” That’s the idea, enshrined in the proverb-poem “For Want of a Nail,” that an overlooked small difference in initial conditions can lead to a specifically-unforeseen “failure cascade” that has immense consequences. I wrote about the Horseshoe-Nail theory of history for The Truth About Cars. That blog entry, “Horseshoe Nails, The Rhythm of History, and General Motors,” argues that the late-1950s decision by General Motors not to spend five dollars per car to fix the dangerous handling of the first-generation Chevrolet Corvair ultimately led (in 2000) to the election of George W. Bush as the President of the United States.
After the jump link, I identify the two pretties in the photo above, and explain their impact on history, and their connection to me. Continue Reading →
My musically-astute friend and I found ourselves in mid-October enjoying the environs of Bennington, Vermont. An artistically-astute friend had some time before emailed me, urging me to see the Milton Avery exhibit going on at the Bennington Museum, and the timing worked out. (There’s an image of a wonderful Milton Avery painting after the jump.)
In addition to the Milton Avery exhibit (which just closed), the Bennington Museum permanently houses the largest Grandma Moses collection this side of Proxima Centauri (those clever aliens bought in big, when the market was really cheap). I must confess that my reaction to Grandma Moses always was, “OK, yeah;” but, seeing the paintings live, there’s really a lot more going on than a person might have gleaned from LIFE magazine, back in the day.
There was a vitrine holding artifacts from Grandma Moses’ painting workbench. I at first was puzzled by the glass jar of silver glitter, but it then dawned on me that she must have used the glitter to make her snowscapes sparkle; and, sure enough, the proof was hanging on the walls. The Bennington Museum asks visitors to refrain from photographing the Moses pictures, in that the Museum sells books and postcards. I imagine those constitute major sources of revenue, and so of course I complied.
However, there was no ukase prohibiting (non-flash) photography elsewhere; and so, when I was brought up short by seeing, in a vitrine in the hall dedicated to material culture and technology, an item the claimed to be a piece of the first transatlantic telegraph cable, I snapped the photo you see above.
History of technology lesson and philosophical musings, after the jump.
NB, the first transatlantic messages were exchanged more than two years before Abraham Lincoln took office! Continue Reading →
Photo © 2016 John Marks
On Sunday, August 14, the musically-astute friend I mentioned in the context of the Andris Nelsons Boston Symphony Wagner/Sibelius CD and I traveled to Lenox, Massachusetts, where the Boston Symphony makes its summer home at Tanglewood. The program consisted of Beethoven’s Op. 64 Coriolan Overture (1807), his Piano Concerto 3 (1800-1801), and Schumann’s Symphony 4 (1841/1851).
But of course, I could not resist indulging in audio geekery, in the process making a new pro-audio friend! Geek-bait photos, official concert photos, and a link to streaming audio of the concert, all after the jump! Continue Reading →
I intend to use my blog as a way of sharing my love of music and the other arts, and also sharing my love of audio engineering and of home hi-fi equipment. I am not going to turn my blog into a political platform.
That said, while doing other research, I ran across a List of Eight Cardinal Virtues composed by plant scientist George Washington Carver (c. 1860—5 January 1943). Here they are.
- Be clean both inside and out.
- Neither look up to the rich, nor down on the poor.
- Lose, if need be, without squealing.
- Win without bragging.
- Always be considerate of women, children, and older people.
- Be too brave to lie.
- Be too generous to cheat.
- Take your share of the world, and let others take theirs.
The relevance to today’s headlines should be painfully obvious.
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Looks like content will go up Monday 2/8/16.
Thanks for your interest.