Month: September 2017
Jennifer Warnes: “Song of Bernadette”
Gustav Mahler and his wife Alma (née Schindler) had a marriage that was often troubled. Mahler started out on the wrong foot by insisting that his musically-talented (and, much younger) fiancée renounce her own ambitions to write serious music. (Alma had already composed some songs, and had worked on some instrumental music, as well as an opera sketch). Years later, a hammer-blow of fate befell Gustav and Alma with the death of their five-year old daughter Maria Anna. That shock was followed by the hammer-blow of Gustav’s diagnosis with the heart defect that eventually caused his early death.
Mahler only later discovered that, reeling from her daughter’s death (and, doubtless, also reeling from Mahler’s determination to isolate himself, so he could put on paper all the music that was within him, before it was too late), Alma had taken up romantically (and sexually) with a young architecture student named Walter Gropius.
For what all of that has to do with Jennifer Warnes, you will have to clink on the jump link to find out. Continue Reading →
Arturo Delmoni & Yuri Funahashi: Amy Beach Violin Sonata (complete performance)
Tuesday, September 5, 2017 is the 150th anniversary of the birth of Amy Marcy Cheney Beach (September 5, 1867 – December 27, 1944). To quote Wiki: “She was the first successful American female composer of large-scale art music, breaking a glass ceiling when her ‘Gaelic’ Symphony was performed by the Boston Symphony Orchestra in 1896.”
Arturo Delmoni asked me to upload not just sound bites but instead his and Yuri Funahashi’s entire recorded performance (from CD JMR 2, which a third-party seller on Amazon would like you to pay $1,526.83 for a new copy of—but there is a bottom-feeding underbidder asking only $166.99; such are the values of my back catalog on the crazy collector market).
After the jump there are: a photo of Mrs. H.H.A. Beach (as she wished to be known); m4a embeds of all four movements of her Sonata in A minor, Op. 34; and the relevant section of my liner-note essay.
Happy Birthday, Mrs. Beach!
Playing J.S. Bach in the Style of Nicholas Bruhns
My musically-astute friend and I had a wonderful time attending the lectures, discussion panels, recitals, and concert performances of this year’s Bard Festival. Each year, the Bard Festival focuses on one composer; this year’s model was Chopin. Of course, such a project also examines Chopin’s milieu and his formative experiences, his personal life (I learned a lot about George Sand), and his musical influences and musical contemporaries. Next year’s Festival is all about Rimsky-Korsakov and His World; it gets my highest recommendation for an in-depth, challenging, and rewarding cultural experience, all in a wonderful setting near the Hudson River.
Bard College, by the way, is where future rock band Steely Dan‘s co-founders Becker and Fagan met; I was bold enough to ask a Bard administrator where I could find the shrine to Steely Dan, and he smiled at me indulgently. By the way, a Bard-era, pre-Steely-Dan, Becker-and-Fagan group included future comedian Chevy Chase, on drums… . Continue Reading →