Johannes Brahms’ Op. 53 Alto Rhapsody (1869) for female solo voice, male chorus, and orchestra neatly divides into three parts: Yearning, Striving, and Imploring Divine Aid.
Brahms wrote the Alto Rhapsody as a wedding present for Robert and Clara Schumann’s daughter Julie. One cannot help but think that Brahms chose Goethe’s craggy text as a self-portrait hiding a declaration of love.
The Alto Rhapsody has always been very well-represented on recordings. My fave rave is Dagmar Pecková with Jirí Belohlávek and the Prague Philharmonia, in a 2-CD set that includes some very fine Wagner and Mahler. Above we have a very fine version featuring Italian contralto Sara Mingardo with the Lucerne Festival Orchestra and (surprise, surprise) Andris Nelsons, rounding out our unofficial Andris Nelsons Brahms week here at The Tannhäuser Gate. This video is from a concert that includes Brahms’ Symphony No. 2 and Serenade No. 2. The DVD is here and the Blu-Ray here.
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